Past Shows

Raices-Alas-del-Mar_Poster

delMar

Saturday, April 1, 2017, 8:00pm

Waterfront Theatre – 1412 Cartwright St (Granville Island), Vancouver

Tuesday, April 4, 2017, 7:30pm

Charles Bailey Theatre, 1501 Cedar Ave, Trail BC

This multimedia collaboration between percussive dancers centres around the theme of water – its sounds and movements, the forms it takes and the stories it inspires. Essential to life but with the force to destroy, the lure and fear of water informs legends, folk tales and spiritual traditions. Water is pivotal in the history of humanity. From solid ice to ethereal mist, the forms it can assume are as varied as human experience. True to the group’s reputation, del Mar combines traditional elements of flamenco with unexpected modes of music, dance and visual expression.

Raices y Alas - Tactil - 2016

táctil

Sunday, April 17, 2016 at 2pm

Roundhouse Performance Centre

Sunday April 24, 2016 at 2pm

Evergreen Cultural Centre

The April edition of Dance Allsorts will see the debut of táctil (“tactile”), a new piece by Raices y Alas Flamenco that explores the possibilities of percussive dance, and the manipulation of sound using different surface mediums in a collaborative environment. The performance brings together four dancers: Andrea Williams, Michelle Harding, Maria Avila, and Dayna Szyndrowski, placing them on unexpected dance surfaces in order to explore a range of sonic texture in their footwork’s music. Created in collaboration between the four artists, and live musicians, the piece weaves together individual styles in a rhythmic synthesis, examining contemporary expressions of flamenco and tap dance.

BC Buds

táctil at BC Buds

May 6-10, 2015

Firehall Arts Centre, Vancouver

Táctil by the Raíces y Alas Flamenco Project. A site-specific contemporary flamenco performance as part of BC Buds. Where four flamenco dancers seek their own footing on individual ground while building connection to each other and their surroundings.

Raices y Alas - tactil

táctil

February 21 & 22, 2015

Granville Island, Vancouver
Creek House Courtyard, by The Sand Bar

Táctil by the Raíces y Alas Flamenco Project. A site-specific contemporary flamenco performance, as part of NewWorks: PopUpDances. With Andrea Williams, Maria Avila, Michelle Harding and Dayna Szyndrowski.

Raíces y Alas: PAIRINGS

September 20 & 21, 2013

The Cultch – Vancouver East Cultural Centre

Raíces y Alas: PAIRINGS (Roots and Wings: Pairings) takes inspiration from the relationships between contrasting musical and dance forms, continuing Raíces y Alas Flamenco’s exploration of both the roots of flamenco and the contemporary evolution of the art, pushing the boundaries of the current expression of flamenco in Canada.

Featuring the classical Spanish and flamenco artistry of Emilio Ochando Talero (Spain) and Vancouver’s Andrea Williams, Michelle Harding, Palma Bjarnason Kontogianni and Zosia Hortsing along with the talented Ashley Kirkham (bellydance), Dayna Szyndrowski (tap), Farnaz Ohadi (Persian), Neha Munshi (kathak), Nelson Leis (Actor).

Musicians include: Gareth Owen (flamenco guitar), Peter Mole (flamenco guitar), Liam Macdonald (percussion), Tim Gerwing (tabla), Saina Khaledi (Santour), Tyson Naylor (piano).

Raices-Y-Alas-Poster-2012

Raíces y Alas: COLORES

November 2&3, 2012

Scotia Bank Dance Centre

Taking inspiration from the relationships between music, colours and emotions, this work explores both the roots of flamenco and the contemporary evolution of the art, pushing the boundaries of the current expression of flamenco in Canada.

Co-produced with Caravan World Rhythms and featuring the artistry of Vancouver’s own “Fred Astaire of Flamenco” Oscar Nieto, and the superpowers of Kasandra “La China”, Michelle Harding, and Andrea Williams along with Calgary’s innovative creative flamenca Rosanna Terraciano.

Tunes and creative juice from the illustrious and insanely wonderful (in alphabetical order): Farnaz Ohadi (flamenco/persian cante), Gareth Owen (flamenco guitar), Jafelin Helten (flamenco cante), Liam MacDonald (percussion), Maria Avila (flamenco cante), Mehlinda Heartt (harp), and Pat Earnst (violin/fiddle).

Raices-y-Alas-Poster-2011

Raíces y Alas: VOCES

September 11, 2011

Presentation House Theatre, North Vancouver

Flamenco as a genre groups together several voices – that of the singer, the guitarist, and the dancer. The roots of flamenco music are in the song form. It is also the voice of a people’s history. The guitar has taken the song form and grown the music into a more contemporary art form, for example embracing melodies from Moorish and Celtic influences, all the while staying true to the traditions of the melodies. The dance is the visual manifestation of the song form. The dancer is the piece of this ensemble that most stretches the limits of flamenco tradition. Contemporary flamenco dancers in Spain have incorporated modern, classical, jazz, hip-hop and dramatic dance forms into their performance.

One important part of this program was the full staging of the contemporary flamenco work “Genus”. This work involves five dancers, four flamenco and one contemporary, and is the voice of innovation in the program. The first movement was created for “Raíces y Alas” (2010) and had been germinating to its current form since. The most daring piece in “Raíces y Alas”, it was met with resounding acclaim and as a result has been featured in several Lower Mainland shows since.

Raices-Y-Alas-Poster-2010

Raíces y Alas

September 26, 2010

Havana Theatre, Vancouver

“Raíces y Alas (Roots and Wings)”, sold out five days after the release of tickets and three weeks before the show date. As a result of this demand and the public’s response to the show, a second run was planned for early 2011.

In addition, it is important for flamenco, and flamenco artists, to be pushed outside the currently established artistic boxes. The introduction of more contemporary movement and new-to-Canada techniques to the flamenco repertoire was a daring move in a traditionally more conservative school. Nevertheless, the performance of a new choreography “Genus” was provocative and well received. Moreover, the collaboration with Persian, Sufi, Contemporary, and Classical artists for “Raíces y Alas” has had an impact on the breadth and width of the art form within this flamenco community.